A new documentary on the life of late British singer Amy Winehouse shows the six-time Grammy-Award winner in her younger days discussing her misgivings about fame, a preview of the trailer showed on Thursday.
Winehouse died from alcohol poisoning nearly four years ago at her London home at the age of 27 after struggling with drinking and drug problems throughout much of her career.
“I don’t think I’m going to be at all famous, I don’t think I could handle it. I would probably go mad,” Winehouse says in the first glimpse of “AMY,” due for release on July 3 and using previously unseen footage and unheard tracks.
Directed by Asif Kapadia, who won a BAFTA for his documentary “Senna” on the late Formula One racing driver Ayrton Senna, AMY features footage of a young Winehouse singing and smiling to camera and talking about her career while a version of her hit “Back to Black” plays in the background.
Seen as one of the most talented musicians of her generation, Winehouse’s albums - with songs such as “Valerie,” “You Know I’m No Good” and “Rehab” - sold in their millions.
“I never thought … I would end up being a singer. I just thought I’m lucky that it is something I can always do if I want to,” she says in another clip.
(JTA) – When I first saw the headline — “Jack the Ripper identified through DNA traces: sleuth” — I joked to myself: Don’t let it be a Jew.
Well, joke’s on me. Courtesy of AFP:
But after extracting DNA from a shawl recovered from the scene of one of the killings, which matched relatives of both the victim and one of the suspects, Jack the Ripper sleuth Russell Edwards claims the identity of the murderer is now beyond doubt.
He says the infamous killer is Aaron Kosminski, a Jewish emigre from Poland, who worked as a barber.
What a shande!
(JTA) — They are trained to uphold the strictest protocol, which includes standing motionless and expressionless at attention outside Buckingham Palace in London.
But that training was no match for an American Jewish tourist who made a Royal Guard soldier crack up, and then captured it on film.
The video documenting the man identified as Yankel’s feat surfaced recently online, and though attempts to reach Yankel and ascertain his identity and the date of filming have not immediately succeeded, the film pretty much speaks for itself. Yankel, who appears, judging by his black kippah, black suit, tzitzit and white shirt, to be Orthodox, begins his offensive on British decorum by standing next to the soldier and telling his friends’ camera: “We were together in school, me and him. He went his own way.”
The soldier remains frozen as Yankel elaborates on their 30-year-long friendship, which he says has endured despite some basic differences of character. “I remember in school, he used to sit by himself and read books. I was just this guy fooling around and having fun,” Yankel says. The soldier begins to crack 60 seconds into Yankel’s routine, when Yankel recalls how the soldier’s mother would pick him up from school until he was 20.
In the Broadway production of Monty Python’s Spamalot, midway through the second act Sir Robin advises King Arthur that “We won’t succeed on Broadway / If you don’t have any Jews.” Starring dancing girls wearing Magen Davids and featuring a Fiddler on the Roof bottle dance parody, the song and the show was wildly successful in New York but not so in London, Sir Robin’s tune described by The Guardian as “a Broadway in-joke that has little purchase this side of the Atlantic.” When the show eventually went on tour in the United Kingdom, “You Won’t Succeed on Broadway” was radically re-written, the focus shifting towards celebrity producers and actors.
That the joke was lost in translation was hardly surprising, given the absence in the U.K. of a strong tradition of either Jews as objects of humour (in a nice way, at least) or the Jewish sensibility as the butt of jokes. The rise of comics like Sacha Baron Cohen and Simon Amstell notwithstanding, the U.K. has never had prominent figures like Woody Allen and Jackie Mason who use Jewishness or stereotypical Jewish traits for comedic effect. Reflecting a desire for homogeneity, British humour has traditionally sought to be universal, compared to the way Jews and other minorities have carved out niches in the multi-ethnic American entertainment scene. That is, until now. A new primetime reality show has, whether they wanted it or not, pushed British Jews into the spotlight, highlighting in particular the old trope of the clingy, bolshy, and neurotic Jewish mother.
The premise of Jewish Mum of the Year (airing now on Channel 4) is a simple one: eight Jewish mothers compete in weekly trials, including organising a successful Bar Mitzvah and making a perfect match, in order to be named Mother of the Year by The Jewish News and become their new agony aunt columnist.
In 1975, UK author Alan Coren published a humorous collection of essays called “Golfing for Cats” — and emblazoned the cover with a huge swastika. He had noticed the most popular titles in Britain were about cats, golf and Nazis.
Thirty-six years later, notes the BBC this week, “Nazi books are going stronger than ever. A staggering 850 books about the Third Reich were published in 2010, up from 350 in the year 2000. And they mostly still have a swastika on the front cover.”
The sheer range of Reich-related literature in Britain is astonishing, the BBC reports. “The phenomenal and continuing success of books about the Nazis includes fiction, non-fiction and science fiction. They include the occult and the Nazis, Nazi magic, Nazi weaponry and Nazi doctors. There’s the history of SS uniforms, SS staff cars, SS recruitment and propaganda. You can read counter histories imagining Britain if the Nazis had won or post-war histories of the exploitation of Nazi scientific discoveries by America and the other Allied powers. There is a firsthand account of Himmler’s masseur.”
Will a Jewish thread run through the wedding of Prince William and fiancée Kate Middleton, who announced their engagement this week?
One of Britain’s biggest bookmakers thinks so, according to the UK Jewish Chronicle. Paddy Power, which operates betting parlors, telephone gambling, and online gaming in the UK and Ireland, has tipped London-based designer Elizabeth Emanuel as the most likely candidate to create the future Queen’s bridal outfit.