The Carter Family: Don’t Forget This Song
By Frank M. Young and David Lasky
Abrams, 192 pages, $24.95
With a recent issue of Time magazine declaring “The Carter Family” to be one of the seven best comics of 2012, artist David Lasky has ascended to the top tier of Jewish-American comic artists, an august group that includes Art Spiegelman, Ben Katchor, veteran Sharon Rudahl and newcomer Dan Asher, on top of a considerable list of others. This is not exactly a surprise. Lasky’s drawings, mostly in alternative comics anthologies, have been highly regarded by comics insiders for a decade or more. With this latest subject and the four-color precision of the result, Lasky, along with his collaborating script-writer (who also did the coloring) Frank Young, have hit a big number.
The “Midwest school” of comic art, appearing in daily papers in the 1920s and ‘30s, is now long gone. At that time Sidney Smith of “The Gumps” and Frank O. King of “Gasoline Alley” as much as invented “continuity,” moving away from four-panel gag to story lines about daily life and sometimes high adventure. Within this style, “Little Orphan Annie” achieved a peak readership among countless story-line, syndicated strips. “Joe Palooka” and “Li’l Abner” apart, they had non-Jewish creators and with few exceptions, were politically conservative.
“The Carter Family” might almost be accused of returning to Al Capp’s hillbilly vintage, except that Capp specialized in ridicule, while Lasky and Young have gone in the other direction, towards a documentary look at the lives of the 20th century’s most important country music innovators.
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