How busy is Hannah Moscovitch? A mini-festival of her plays, including two world premieres, opened February 20 at Toronto’s prestigious Tarragon Theatre. She’s juggling commissions for theater, television and opera, along with film work like an adaptation of Alison Pick’s Holocaust-themed novel “Far to Go.” And she holds down a day job writing a popular TV cop show.
At 34, Moscovitch has also become Canada’s “most produced young playwright,” according to a Tarragon press release. The child of a Jewish father and an English-Irish Catholic mother, Moscovitch has made Jewish history, memory and experience a central part of her work. The plays she debuted last week include “Other People’s Children,” about a child’s relationship with her nanny, and “Little One,” a “stylish lullaby-nightmare thriller” about a pair of adopted siblings. The Arty Semite spoke to Moscovitch from her Toronto home early on a recent Sunday morning — the only time her schedule permitted.
Michael Kaminer: When you’re not preparing for a festival of your plays, what would you normally be doing on a snowy Sunday morning at 9 a.m.?