The Arty Semite

What Jonah Lehrer Can Do With His $20K

By Philip Eil

Getty Images

I felt my blood pressure skyrocket this morning when I learned that nonfiction wunderkind-turned-pariah Jonah Lehrer was given $20,000 for a mea culpa sermon at the Knight Foundation’s Media Learning Seminar, addressing the Bob Dylan quote-fabrication scandal in which he was embroiled last year. My sister-in-law — a fellow freelance journalist who sent me the news with the note “Makes my blood pressure rise” — had the exact same response. I didn’t stew listlessly after reading the article, however. I took out my calculator and went to work.

In five years since graduating from college, I’ve published roughly 125 nonfiction articles. They range from blog posts for book review websites like The Millions to cover stories for my local alt-weekly paper, The Providence Phoenix. The most I’ve ever been paid to write is 75 cents a word for my alma mater’s alumni newsletter. Much more frequently, I get paid around 20 cents a word to write articles for the Phoenix and around three cents a word to contribute to my local Jewish newspaper, The Jewish Voice and Herald. I write for other outlets, free of cost. When I added up the payments for those 125-or-so articles, the sum was less than half of Lehrer’s $20,000 payday.

I don’t report these numbers to elicit pity. Like many young nonfiction writers, I supplement my writing (non-)income with odd jobs: teaching writing at a local college; pay-for-hire research and copywriting; leading literature discussions for a group of local middle-aged women. And like many Jewish kids of a certain milieu (I’m a 27-year-old son of a doctor and attorney who graduated from private prep schools and universities), I’m far from a charity case.

But I write this to illustrate exactly how offensive Lehrer’s honorarium is to anyone in the nonfiction writing business — particularly those of us close to Lehrer’s age who scan Gawker for Lena Dunham’s latest book deal and stare wistfully at the words “staff writer” on the contributors page of our weekly New Yorker. Lehrer proved last year that he isn’t nearly as Digital Age-savvy as he was supposed to be. But even he should know that his $20,000 fee would speak louder than his Knight Foundation remarks.

This new mini-scandal doesn’t have to be an aftershock to the earthquake that crumbled Lehrer’s career. He could turn it around. So, Jonah, if you’re reading, here are a few suggestions for paying your infamous honorarium forward.

Read more


Permalink | | Share | Email | Print | Filed under: Jonah Lehrer, Journalism, Knight Foundation, Philip Eil

Q & A: New Yorker Writer Lawrence Wright on Bringing Gaza to the Stage

By Zohar Tirosh-Polk

Getty Images
Lawrence Wright at the premier of ‘My Trip to Al Qaeda.’

With his film “My Trip To Al-Qaeda” on HBO in September and his one-man show, “The Human Scale,” about to open in New York City, Pulitzer Prize-winning author and The New Yorker staff writer Lawrence Wright has a lot going on. During a short window between memorizing his lines and beginning rehearsals, he found time to answer a few questions about “The Human Scale,” which is based on his experiences in Israel and the Gaza Strip last year. Directed by Oskar Eustis of the Public Theater, the play opens on October 2 at The New Yorker Festival and will continue its run at 3LD Arts and Technology Center until October 31.

Zohar Tirosh-Polk: How did this play come about?

Lawrence Wright: I had a done a one-man play before, “My Trip to Al Qaeda.” That was anomalous to start with, and I thought I would never do that again. Then I went to Gaza for The New Yorker in July 2009, and when I came back Karen Greenberg at the Center on Law and Security asked me to give a speech about Gaza. The more I thought about it, I realized it was very familiar to the people of that region, but here people are so unacquainted with it. I thought maybe I would try another one-man presentation, so we assembled all this video and we did a reading last December at the 3-Legged Dog theater, and it was during that time that Oskar Eustis at the Public got interested.

Read more


Permalink | | Share | Email | Print | Filed under: Theater, The New Yorker Festival, The New Yorker, The Human Scale, The Freedom Theatre, Public Theater, Palestine, Oskar Eustis, Middle East, My Trip To Al-Qaeda, Lawrence Wright, Karen Greenberg, Journalism, Jenin, Israeli-Palestinian Conflict, Israel, HBO, Gaza, Drama, Damascus, Center on Law and Security, Bowe Bergdahl, Al Queda, Afghanistan, 3LD Arts and Technology Center, 3-Legged Dog

Field Stories Without Names

By Martin Fletcher

Yesterday, Martin Fletcher wrote about stories he’s covered for NBC’s London bureau. Martin Fletcher’s newest book, “Walking Israel: A Personal Search for the Soul of a Nation,” is now available. His blog posts are being featured this week on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog series. For more information on the series, please visit:


I’m lousy at titles; I may spend more time thinking about what to call a book than planning its content. But what I’ve discovered is it doesn’t matter much what I think because the publisher decides anyway.

The title I decided on, after much anguish, for my first book about my reporting career was “The Exploding Cow and the River of Death,” which related to two of the stories in the book. That kind of black humor is a tradition for journalist memoirs. My favorite such title is Edward Behr’s 1985 book “Anyone Here Been Raped and Speaks English?” It refers to a journalist in the Congo who came across a group of Belgian nuns who had been raped and shouted the question.

Read more


Permalink | | Share | Email | Print | Filed under: My Jewish Learning, Martin Fletcher, Journalism, Jewish Book Council, Edward Behr, Author Blog Series, NBC, Walking Israel




Find us on Facebook!
  • "Despite the great pain and sadness surrounding a captured soldier, this should not shape the face of this particular conflict – not in making concessions and not in negotiations, not in sobering assessments of this operation’s achievements or the need to either retreat or move forward." Do you agree?
  • Why genocide is always wrong, period. And the fact that some are talking about it shows just how much damage the war in Gaza has already done.
  • Construction workers found a 75-year-old deli sign behind a closing Harlem bodega earlier this month. Should it be preserved?
  • "The painful irony in Israel’s current dilemma is that it has been here before." Read J.J. Goldberg's latest analysis of the conflict:
  • Law professor Dan Markel waited a shocking 19 minutes for an ambulance as he lay dying after being ambushed in his driveway. Read the stunning 911 transcript as neighbor pleaded for help.
  • Happy birthday to the Boy Who Lived! July 31 marks the day that Harry Potter — and his creator, J.K. Rowling — first entered the world. Harry is a loyal Gryffindorian, a matchless wizard, a native Parseltongue speaker, and…a Jew?
  • "Orwell would side with Israel for building a flourishing democracy, rather than Hamas, which imposed a floundering dictatorship. He would applaud the IDF, which warns civilians before bombing them in a justified war, not Hamas terrorists who cower behind their own civilians, target neighboring civilians, and planned to swarm civilian settlements on the Jewish New Year." Read Gil Troy's response to Daniel May's opinion piece:
  • "My dear Penelope, when you accuse Israel of committing 'genocide,' do you actually know what you are talking about?"
  • What's for #Shabbat dinner? Try Molly Yeh's coconut quinoa with dates and nuts. Recipe here:
  • Can animals suffer from PTSD?
  • Is anti-Zionism the new anti-Semitism?
  • "I thought I was the only Jew on a Harley Davidson, but I was wrong." — Gil Paul, member of the Hillel's Angels. http://jd.fo/g4cjH
  • “This is a dangerous region, even for people who don’t live there and say, merely express the mildest of concern about the humanitarian tragedy of civilians who have nothing to do with the warring factions, only to catch a rash of *** (bleeped) from everyone who went to your bar mitzvah! Statute of limitations! Look, a $50 savings bond does not buy you a lifetime of criticism.”
  • That sound you hear? That's your childhood going up in smoke.
  • from-cache

Would you like to receive updates about new stories?




















We will not share your e-mail address or other personal information.

Already subscribed? Manage your subscription.