I felt my blood pressure skyrocket this morning when I learned that nonfiction wunderkind-turned-pariah Jonah Lehrer was given $20,000 for a mea culpa sermon at the Knight Foundation’s Media Learning Seminar, addressing the Bob Dylan quote-fabrication scandal in which he was embroiled last year. My sister-in-law — a fellow freelance journalist who sent me the news with the note “Makes my blood pressure rise” — had the exact same response. I didn’t stew listlessly after reading the article, however. I took out my calculator and went to work.
In five years since graduating from college, I’ve published roughly 125 nonfiction articles. They range from blog posts for book review websites like The Millions to cover stories for my local alt-weekly paper, The Providence Phoenix. The most I’ve ever been paid to write is 75 cents a word for my alma mater’s alumni newsletter. Much more frequently, I get paid around 20 cents a word to write articles for the Phoenix and around three cents a word to contribute to my local Jewish newspaper, The Jewish Voice and Herald. I write for other outlets, free of cost. When I added up the payments for those 125-or-so articles, the sum was less than half of Lehrer’s $20,000 payday.
I don’t report these numbers to elicit pity. Like many young nonfiction writers, I supplement my writing (non-)income with odd jobs: teaching writing at a local college; pay-for-hire research and copywriting; leading literature discussions for a group of local middle-aged women. And like many Jewish kids of a certain milieu (I’m a 27-year-old son of a doctor and attorney who graduated from private prep schools and universities), I’m far from a charity case.
But I write this to illustrate exactly how offensive Lehrer’s honorarium is to anyone in the nonfiction writing business — particularly those of us close to Lehrer’s age who scan Gawker for Lena Dunham’s latest book deal and stare wistfully at the words “staff writer” on the contributors page of our weekly New Yorker. Lehrer proved last year that he isn’t nearly as Digital Age-savvy as he was supposed to be. But even he should know that his $20,000 fee would speak louder than his Knight Foundation remarks.
This new mini-scandal doesn’t have to be an aftershock to the earthquake that crumbled Lehrer’s career. He could turn it around. So, Jonah, if you’re reading, here are a few suggestions for paying your infamous honorarium forward.
The controversial works of authors Maurice Herzog and Binjamin Wilkomirski are not the only cases of Jewish writers or subjects that have faced scrutiny for allegedly embellished projects. From inflated Holocaust tales to fake autobiographies, Jewish authors and subjects have been at the center of some of the most heated literary debates.
Earlier this year, Jonah Lehrer used previously published work for posts on The New Yorker website. Months later, an article by Tablet revealed that Lehrer had fabricated quotes by Bob Dylan for his book “Imagine.” Further examples of hoaxes involving Jewish writers include the following:
• Stephen Glass concocted both quotes and sources in the mid-1990s as a journalist at The New Republic. “Shattered Glass,” a film that recounts the affair, was released in 2003. Earlier that year, Glass published “The Fabulist,” a fictionalized account of his own scandal.
Well, the verdict is already in on Jonah Lehrer, the New Yorker writer who has admitted to making up Bob Dylan quotes for his book Imagine. The sentence has been meted out too, actually by Lehrer himself in the form of his resignation from the magazine. But inventing Dylan quotes seems to be far from the worst crime a journalist could commit, and if Lehrer’s ever looking for an advocate, he might find a good one in Dylan himself, hardly the world’s greatest spokesman for truth. Some words on Mr. Lehrer’s behalf courtesy of Mr. Dylan.
“Life is more or less a lie, but then again that’s exactly the way we want it to be.” (Chronicles, Volume 1)
“What did I owe the rest of the world? Nothing. Not a damn thing. The press? I figured you lie to it.” (Chronicles, Vol. 1)
“All the truth in the world adds up to one big lie.” (Things Have Changed)
The truth is far from you, so you know you got to lie” (Trouble in Mind)
“Don’t trust me to tell you the truth when the truth may only be ashes and dust.” (Trust Yourself)
“The truth is only fiction, and fiction’s only a lie.” (Stormy Season)
Actually, we made up that last one, but it sure sounds like something Bob would say. Making up Dylan quotes turns out to be surprisingly tempting.
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