There is likely not an American of a certain age who does not remember where he was on November 22, 1963 — the day John F. Kennedy was assassinated.
That event is at the center of “Parkland,” the exciting new film from writer/director Peter Landesman. “Parkland” is the hospital where Kennedy was taken after being shot. The movie offers a different view of the incident, from the perspective of people surrounding the tragedy: the doctors and nurses at the hospital, an FBI agent who knew of Lee Harvey Oswald’s threats of violence, and even Abraham Zapruder, who famously filmed it.
For a first-time director with a limited (by Hollywood standards) $10 million budget, Landesman attracted an amazing cast, including Paul Giamatti, Jacki Weaver, Billy Bob Thornton and Marcia Gay Harden, among others. He spoke to The Arty Semite about how he got the job, what he discovered in his research and the different reactions he’s seen from older and younger audiences.
Curt Schleier: You’re only 48 years old — born two years before the tragedy. What did you know about it?
Peter Landesman: I was an investigative journalist for The New York Times, so you can say I was a student of history. I’m especially a student of history of the truth beneath the headlines, beneath the gloss. I’m always interested in the real personalities, the human element. Usually you end up reading about Kennedy, who is all warts. That’s uninteresting to me, as is the Camelot mythology. I don’t have time for that in the same way I don’t have time for the conspiracy theories.
From the celebrated to the marginalized, from the heat of a summer antiwar protest to the searing cold of a Windy City winter, Chicago-based photographer Art Shay has been capturing unique, often strikingly ironic images for more than six decades. Thirty two of them, including pictures of John F. Kennedy, Bobby Kennedy, Saul Bellow, James Baldwin and Marlon Brando, are currently in display in an exhibit titled “That Was Then” at Chicago’s Thomas Masters Gallery through December 23.
There’s a picture of writer Nelson Algren — who Shay photographed over a 10-year period — waiting for a bus on a rainy Chicago street in 1949. (A Shay photo of Algren graces the jacket of his 1956 novel “A Walk on the Wild Side,” and Shay’s famous shot of Algren’s lover, Simone de Beauvoir, fresh out of a bath, is the subject of a book to be published in Paris next year.)
Last August, during President Obama’s visit to Martha’s Vineyard, a protest erupted over a T-shirt being sold at the SunStations shop in Oak Bluffs that portrayed Obama as Moe, Vice President Joe Biden as Larry, and House Speaker Nancy Pelosi as Curly. The caption read: “The REAL Stooges.”
The storeowner said no malice was intended, and pointed to other shirts in the shop that praise the President. For us, however, there was no need to explain, as we see the comparison as complimentary. After all, the Three Stooges, who are being honored on December 13 at the Three Stooges Film Festival in Albany, as well as in a forthcoming Three Stooges Movie, were pioneering geniuses of comedy.
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