The Arty Semite

Charlie Chaplin’s Jewish Barber

By Benjamin Ivry

For 70 years, fans of Charlie Chaplin’s “The Great Dictator,” now widely available on DVD, have marveled at the prescience of the comedian’s anti-Nazi satire. Filmed before America actually entered World War II, when some Hollywood movie moguls still soft-pedaled critiques of Hitler, “The Great Dictator” continues to fascinate today.

Recently published by Les éditions Capricci in Nantes, France, “Why Hairdressers? Timely Notes about ‘The Great Dictator,’” by film critic Jean Narboni, makes some new and cogent observations about Chaplin’s film. Narboni, a veteran journalist for the Cahiers du cinéma, compares the nonsense German-like doublespeak used by Chaplin as the dictator Hynkel (see video below) with the Nazi’s “constant corruption of the German language” as noted by the philologist Victor Klemperer.

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Permalink | | Share | Email | Print | Filed under: Treblinka, Paulette Goddard, Robert Meltzer, Shoah, The Great Dictator, Marion Pauline Levy, Jean Narboni, Jean-Luc Goddard, Israel Thonstein, Film, Claude Lanzmann, Charlie Chaplin, Cahiers du Cinema, Anti-Semitism, Barber, Abraham Bomba, A Married Woman, Victor Klemperer, World War II




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