On Tuesday, Gerald Sorin wrote about ambivalence toward the genre of biography. Today, he considers the question: Can the biographer or their readers really know the subject fully? His blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
Can biographers really know their subjects fully? Was Mark Twain right when he said that “a man’s real life is led in his head, and is known to none but himself?” And what about Freud who went even further: “Whoever turns biographer commits himself to lies, to concealment, to hypocrisy, to embellishment, and even to dissembling his own lack of understanding, for biographical truth is not to be had.”
Well, if biographical truth is not to be had, if a self is actually unknowable, can we at least analyze the work of the artist or the writer or the activist as a clue to the meaning of the life? Here a biographer is challenged by the postmodernists or deconstructionists who argue for “the death of the author,” and who see texts and even behavior as totally independent entities, neither of which tells us anything about their human creators. Not surprisingly, I take a somewhat different position. I acknowledge the existence of authors. Of course, the writing of any particular author may not be — and very often is not — autobiographical. Indeed, biographers, or general readers for that matter, who concentrate on ferreting out the self-referential, often miss the satisfaction of immersing themselves in the creative imagination of the writer. In any case, for me, authors are neither absent nor entirely inscrutable. Why otherwise would I have undertaken a biography of so prolific a writer as Fast, whose early writings seemed to have moved an entire generation of Jews in the direction of political liberalism, or of Irving Howe, who in his literary criticism and teaching fought fiercely against the “death of the author” school?
Gerald Sorin’s most recent book, “Howard Fast: Life and Literature in the Left Lane,” is now available. Sorin won the 2003 National Jewish Book Award in History for I“Irving Howe: A Life of Passionate Dissent.” His blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
For historians, writing biography presents a number of challenges. One of the more important comes from scholars who tend to classify biography as “an inferior type of history.” For example, three years ago the American Historical Society staged a roundtable on “biography as history,” invitations to which included the following: “For a long time historians have been ambivalent about the genre of biography…. Many are skeptical of the capacity of biography to convey the kind of analytically sophisticated interpretation of the past that academics have long expected.”
But we biographers, even those such as myself who want to write cross-over books accessible to the educated lay public, don’t simply chart the course of a life from womb to tomb; we examine our subjects in dialectical relationship to the multiple worlds they inhabit, social, political and cultural. My two subjects, Howard Fast and Irving Howe, for example, rose from immigrant poverty to eminence and wealth, and in Fast’s case immense wealth. Both were also political activists, and literary figures. And both bore the privileges, burdens, and complexities of being Jewish. Both were also involved, directly and indirectly, with events important to shaping the world of the 20th century. It would have been next to impossible to neglect social context in biographies of these men.