Klezmer legend clarinetist David Tarras will be center stage for the first time in decades on May 5, thanks to the efforts of klezmer violinist and ethnographic field researcher Yale Strom. Strom and his band, Hot Pstromi, will be giving a special performance of Tarras’s music — including some pieces that have never been published or recorded — at the Brooklyn Public Library. For Strom, it will be a chance to showcase the talents of the musician known as “The King of Klezmer.”
In addition to playing Tarras’s music, Strom also recently published an oral history titled “Dave Tarras: The King of Klezmer,” beginning with Tarras’s birth into a family of klezmorim in czarist Russia and ending with his death at age 92 in 1989. The book also includes rare photos of Tarras, his family and colleagues, as well as sheet music for 28 of Tarras’s melodies, arranged by Strom and Jeff Pekarek. Strom recently spoke to The Arty Semite about Tarras and about the legacy he left to klezmer artists, as well as to musicians from Charlie Parker to Miles Davis.
Renee Ghert-Zand: Why did you write this book?
A new radio drama titled “The Witches of Lublin” is being offered to public radio stations as a Passover special. Written by Ellen Kushner, Elizabeth Schwartz and Yale Strom, the hour-long production features original klezmer music by Strom and the handiwork of Long Island-based audio drama producer Sue Zizza. The cast includes the prolific audiobook narrator Barbara Rosenblat, author Neil Gaiman and Tovah Feldshuh as the protagonist Rivka, a 18th-century klezmer musician who is a single mom, a weaver of lace and a Talmudic scholar to boot.
“We definitely approached the story from a feminist point of view,” said Schwartz, who also sings in the radio drama. She has collaborated with her klezmer musician husband Strom on films, books and musical projects since the mid-1990s.
As the story unfolds, listeners learn that Rivka and her two daughters, Leah and Sorele, have a reputation as some of the best klezmer musicians in Poland. Enter the anti-Semitic Count, who commands the women to perform at a celebration in honor of his son. It’s an untenable choice because women performing in public would be scandalous in the world of 18th-century observant Jews. But declining to perform might trigger a pogrom against the entire Jewish community of Lublin.
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