The Arty Semite

'Hairspray' in the Holy City

By Esther D. Kustanowitz

The original “Hairspray” (1988) was a weird little movie made by cult director John Waters about rock and roll and race relations in 1960s Baltimore. Then it became a smash musical on Broadway, then a 2007 film adaptation of that Broadway hit. Now, the show is coming to Jerusalem, with a community theater production featuring 32 Anglo-Israeli and Ethiopian-Israeli singers, dancers and actors who share the stage and the spotlight.

Hairspray’s local-girl-makes-good story was groundbreaking enough because of its main character, Tracy Turnblad, a non-willowy, self-confident dynamo who won’t be discouraged just because she looks like the real girl next door. But the narrative pushes two additional buttons as well: race relations — an issue which defined Baltimore in the 1960s, as integration swept through a still-adjusting nation — and women’s empowerment, which enables self-effacing housewife Edna Turnblad to reclaim her zest for life, and to transform herself into a civil rights activist her daughter can look up to.

With empowerment, freedom, confidence and racial equality as its thematic DNA, the production hits Jerusalem for six shows between March 5 and 21.

“Hairspray is almost more relevant here than it ever was in the States, since it was written at a time when segregation and institutionalized racism were mostly things of the past in America,” Director Eli Kaplan-Wildmann explained. “Our cast is made up of people who face these issues today in their own lives, and we hope to bring an awareness of that to Jerusalem.”

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