I never learned to speak Yiddish. As a child in the 1950s and ‘60s, it was the language of my grandparents, the language that my parents only spoke when they didn’t want me or my brothers to understand what they were talking about (and I don’t think they spoke it when my childhood friend Michael Wex was in the house). And yet, there is something about Yiddish theater and song (and, of course, Yiddish theater songs) that makes me feel very connected to my Jewish heritage.
Adrienne Cooper is one of the Yiddish singers I’ve come to most appreciate over the past 15 years or so. I’ve heard her collaborate with several klezmer bands, and “Ghetto Tango,” her CD of Holocaust-era Yiddish theater and cabaret songs with pianist Zalmen Mlotek, has been a particular favorite.
While “Ghetto Tango” was a masterful look back at a previous era, Cooper’s new album, “Enchanted: A New Generation of Yiddish Song,” is a project that is very much of these times. Newly written songs along with re-imagined versions of older songs are presented in a postmodern variety of seemingly disparate, yet somehow seamless musical styles, including jazz, rock, pop, cabaret, klezmer and folk. It is an album that, on one track, reaches back to Cooper’s mother and grandparents, and, on several others, reaches forward to her daughter’s generation.
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