The Arty Semite contributor Christopher DeWolf profiles Hong Kong’s Rabbi Asher Oser and looks at the city’s Jewish history.
The Jewish Chronicle talks to actor Elliott Gould.
VICE Magazine talks to author Sam Lipsyte.
“Lipstikka,” an already-controversial film by Israeli director Jonathan Sagall, will premiere at the Berlin International Film Festival in February.
Anselm Kiefer’s latest exhibit carries a special message for Jews.
With stadium seating and the scent of fresh popcorn in the air, the November 21 screening of “A Jewish Girl in Shanghai” could have taken place in any shopping mall cinema in the world. But there was nothing ordinary about the film itself, which is China’s first homegrown Jewish movie, and an animated one at that.
“Other Jewish film festivals are avoiding this like the plague,” said Howard Elias, the founder of the Hong Kong Jewish Film Festival, which screened the movie as part of its 11th edition. “I’m showing it for the novelty. It’s not anti-Semitic — in fact, it’s pro-Semitic, in its own perverse way.”
Directed by Wang Genfa and Zhang Zhenhui, and based on a graphic novel by Wu Lin, “A Jewish Girl in Shanghai” is set during World War II. It tells the story of two children, Rena and Mishailli, who flee Europe after their father goes missing and their mother is abducted by Nazis. They find their way to Shanghai, which at the time was one of the few places in the world that would accept Jewish refugees, despite being occupied by the Nazi-allied Japanese.
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