A plump, cherubic bar-mitzvah boy beams from the cover the new memoir “Oy Vey! I’m Glad I’m Gay!” (Intracoastal Media). That’s Barry Losinsky, the book’s author, a retired Maryland school psychologist and one of many unsung pioneers in a generation of gay men who came out when it still felt dangerous.
Born to Russian-immigrant parents, Losinsky grappled with his sexual identity — and weight issues — as the Vietnam war raged and race riots roared through Baltimore; with raw humor and disarming candor, the book details Losinsky’s journey from awkward fat kid to sexually confident, happily partnered activist. The Arty Semite caught up with him by email in suburban Baltimore, where he lives with his partner George.
Michael Kaminer: We’re talking just a few weeks after the DOMA ruling. Did you ever think you’d see something like it in your lifetime?
Barry Losinsky: I never in my wildest dreams ever thought that gay and lesbian individuals would be allowed to marry in my lifetime. My major concern, and that of my life partner of 46 years, had been the inheritance tax when one of us was no longer around. We’ve worked hard over the years for what we’ve got, and the inheritance tax in our state is the 10%. That’s a lot of money. So years ago, he legally adopted me as his son to avoid that 10%. It’s been a marvelous conversation piece.
Yesterday, Peri Devaney wrote about working on the postscript for her anthology, “A Jewish Professor’s Political Punditry: Fifty-Plus Years of Published Commentary by Ron Rubin” (Syracuse University Press). Today we hear from Ron Rubin, the prolific professor she anthologized. Their blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
I’ve had four opportunities to visit the Soviet Union/Former Soviet Union over the years, the fourth being the trip I’m preparing for as I write this blog that will be posted while I’m physically there.
Each trip had a different setting, successively bringing me closer to my Jewish brethren. In looking back I realize how fortunate it was that along the way I was never thrown out!
My first trip, as a 26-year-old single in 1968, was mainly exploratory. I wanted to check out the terrible press reports, leave behind some Jewish books, and instill some hope. In this pre détente era when tourism between the USA and the Soviet Union was virtually unknown, I signed up with the Dutch Student Travel Organization, NBBS, for a two week all-expenses-covered trip costing $250. I was the only Jew and the only American among the 30 travelers. The railroad that left Amsterdam took two days and nights to reach our first stop, Minsk. At the intersection between the two Germanys, bloodhounds came on board to search. Crossing Poland, I recognized the names of towns like Bialystok, well known in Jewish history. Were these the same tracks used a quarter century earlier to bring Jews to the concentration camps, I wondered?
Life in London’s Jewish community and Robert Mugabe’s Zimbabwe, billionaires in China and hard times in Ireland all feature in the novels vying for this year’s Man Booker Prize.
The longlist for the prize, one of the English language’s top fiction awards, names 13 writers from seven countries.
“This is surely the most diverse longlist in Man Booker history: wonderfully various in terms of geography, form, length and subject,” said Robert Macfarlane, a writer and Cambridge University academic who chairs the panel of five judges.
“These 13 outstanding novels range from the traditional to the experimental, from the first century AD to the present day, from 100 pages to 1,000 and from Shanghai to Hendon,” he said in a statement announcing the list.
Selected from 151 titles, it includes authors from Britain, Zimbabwe, New Zealand, Canada, Australia, Malaysia and Ireland.
Two authors, Jim Crace with “Harvest” and Colm Toibin with “The Testament of Mary,” have appeared on the award’s shortlist previously.
Things I Don’t Want to Know: A Response to George Orwell’s Why I Write
By Deborah Levy
Notting Hill Editions
In his 1946 essay “Why I Write,” George Orwell identified four great motives for writing, including aesthetic enthusiasm, historical impulse and political purpose. The other, he observed, was that writers are “vain and self-centred,” motivated by egoism and a “desire to seem clever, to be talked about, to be remembered after death, to get your own back on grown-ups who snubbed you in childhood. It is humbug to pretend that [egoism] is not a motive, and a strong one,” he wrote.
Deborah Levy would seem to quibble with that last bit. In her recent response to Orwell’s essay, “Things I Don’t Want to Know,” Levy ponders:
Perhaps when Orwell described sheer egoism as a necessary quality for a writer, he was not thinking about the sheer egoism of a female writer. Even the most arrogant female writer has to work over time to build an ego that is robust enough to get her through January, never mind all the way to December.
Billed as a feminist reply to Orwell, Levy’s political purpose is indeed related to gender — both as female stereotypes in literature and gender constructs in society:
Peri Devaney’s new book, “A Jewish Professor’s Political Punditry: Fifty-Plus Years of Published Commentary by Ron Rubin” (Syracuse University Press), is now available. Her blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
As a book editor, my work had always been behind the scenes. When Ron Rubin (an author I had previously edited for “behind the scenes”) asked me to come out from behind and have my name appear on the cover of an anthology of his works, I never considered the possibility I might wind up putting myself on the line.
As I understood it, my role as anthologist would be to cull through the anthologized’s published materials, decide which pieces fit the anthology’s theme, create “abridged” versions for some of the tangential works, organize the material in a sensible pattern, and write a preface and filler blurbs to provide a biographical background and help the reader move through the book.
All went as expected, the manuscript was submitted, and then…
A reviewer for the publisher’s acquisitions department gave the book a “thumbs up” but suggested adding a bridge between the last of Rubin’s published commentaries and the book’s production. Syracuse University Press’s editorial committee agreed, I discussed the idea of a “Postscript” with Dr. Rubin, and he informed me he would gladly help me write it.
Earlier this week, Melissa R. Klapper wrote about abortion and the complexity of halacha and five American Jewish women you’ve (probably) never heard of. Her blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
At Rowan University in Glassboro, NJ, where I teach, all would-be history majors and minors are required to take (and pass–we’re sticklers that way) a course called Historical Methods. This class is a huge challenge for both students and teachers, as it is writing intensive and the students rarely come to it with much of an interest in historiography, theory, or best practices in terms of scholarship. To humanize the issues, I tell tales of historians behaving badly — those who have plagiarized, forged sources, cheated — who paid the price for their professional malfeasance. But as I learned while working on my most recent book, a history of American Jewish women in the suffrage, birth control and peace movements during the early 20th century, there are other kinds of cautionary tales that should also be part of my repertoire.
Before I even began this book, I was already aware of at least two 1916 Yiddish plays about birth control, both of which are housed at the Library of Congress. I knew about them because the images of their front pages have often been reproduced in accounts of American Jewry and because they have regularly been referred to by scholars in the context of general Jewish communal support for the birth control movement. As I dove into the research for my book, I discovered that apparently no one had actually ever translated these plays in full. My reading knowledge of Yiddish, though adequate for Yiddish periodicals and the like, could not cope with the hand-written manuscripts of the plays, so with the help of a grant, I commissioned Naomi Shoshana Cohen to do the translations. She and I discussed my overall project, and she set about the time-consuming task.
Earlier this week, Gayle Redlingshafer Berman wrote about mourning the loss of a non-Jewish parent. Today we hear from Gayle’s co-author, her husband Harold Berman, the former Executive Director of the Jewish Federation of Western Massachusetts. Gayle and Harold are the co-authors of “Doublelife: One Family, Two Faiths and a Journey of Hope.” Their blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
When my wife and I speak to groups about our family’s journey to Judaism, inevitably we are asked about our parents. How did Gayle’s parents, devout Christians that they were, feel about Gayle becoming an observant Jew? How did my parents feel about me leaving my Reform upbringing to embrace an Orthodox life?
The questions are hardly academic. We have heard from numerous converts about parents who didn’t understand their decision, who felt betrayed, who now worried for their souls, who sometimes even actively tried to undermine their choices. For Ba’alei Teshuva — those Jews who were not raised observant but became so as adults — the reaction of their Jewish parents often is hardly more positive.
When we are asked about how our parents reacted and if we had any difficulties, we respond honestly that we are blessed. Gayle wrote in the previous blog post about her father. His support of Israel was rock solid. He was a true Christian Zionist and “got it” far more than many Jews I know. He was not only supportive of our move to Israel, but proudly wore his Israel Defense Forces cap in the midst of the cornfields of Farmington, Illinois.
Earlier this week, Melissa R. Klapper wrote about five American Jewish women you’ve (probably) never heard of. Her blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
I recently came across a copy of the June 28 issue of The Jewish Press. The Jewish Press is an Orthodox Jewish weekly periodical out of Brooklyn that has a political agenda with which I could not disagree more. When I saw the headline “Time for the Halachic View on Abortion to Be Heard,” I groaned inwardly and prepared to be outraged.
Imagine my surprise when the article, by Yori Yanover, the senior Internet editor of the publication, turned out to be a call to traditional halachic voices to distance themselves from Christian anti-abortion activism and to express more forcefully in the public arena the nuanced rabbinical approach to the difficult topic of abortion. While I do not at all appreciate Yanover’s description of both liberal Jewish groups and evangelical Christians as “the crazies,” I think it is extremely important that a publication like The Jewish Press is reminding its audience that even the strictest interpreters of Jewish law consistently approached abortion from the perspective of protecting the viable life of the mother over the potential life of the fetus. The rabbis, Yanover points out, historically did not consider abortion to be murder.
Gayle Redlingshafer Berman is co-author, with her husband, Harold, of “Doublelife: One Family, Two Faiths and a Journey of Hope,” the first true-life account of “an intermarriage gone Jewish.” She is also an internationally acclaimed singer, and has performed and conducted throughout North America, Europe and the Middle East. Her blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
“Ima, Aunt Angela is trying to reach you. I know it’s grandma! I want to go to her funeral!” My 13-year-old son was home manning the phone in Efrat while I was busy teaching piano to American girls at a school in Jerusalem. My mother had been ill for many years with dementia, that terrifying disease that steals the memory and dignity of its victims. Long before we had made Israel our home three and half years earlier, each day we had expected the call from Illinois telling us that her body had given up the fight. That moment had apparently arrived. Not having my sister’s U.S. number in my Israeli cell phone, I simply continued teaching my piano student.
Soon my cell phone rang. I was sure my sister was indeed calling to tell me that what my son had suspected was true. I told my student, “I’ll be right back,” knowing I could handle what I had been anticipating for years. “Dad died this morning!” I couldn’t believe my ears! No, she meant “Mom,” my head screamed! “Dad?” I yelled! “Yes, Dad.”
Melissa R. Klapper is a professor of history at Rowan University in Glassboro, NJ. Her newest book, “Ballots, Babies, and Banners of Peace: American Jewish Women’s Activism, 1890-1940” (NYU Press), is now available. Her blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
One of the biggest pleasures in writing American Jewish women’s history is discovering the immensely talented, hardworking, committed women whose activities and beliefs and organizations shaped not only the American Jewish past but the whole social, cultural, political, and religious world we live in today. I decided to begin each of the five chapters of my new book, “Ballots, Babies, and Banners of Peace: American Jewish Women’s Activism, 1890-1940” (NYU Press, 2013) with a biographical sketch of one of these women. All of them were renowned during their own lifetime for their significant contributions to social and political movements; alas, few are known today. For each chapter I had literally dozens of fascinating women upon whom I could have focused. Here are those I ultimately chose to profile.
Earlier this week, Ilan Mochari wrote about The Who and Jewish summer camp and the autobiographical elements in his novel, “Zinsky the Obscure” (Fomite Press). His blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
When it comes to 20th-century Jewish authors, it’s Bellow, Roth, and Salinger who generally grab headlines. But their immediate predecessors — Delmore Schwartz and Nathanael West — worked in an era that will always captivate me. The term “bygone time” gets tossed around a lot, but to read Schwartz and West is to truly step into a different America — the America of the 1930s — than the one that Bellow, Roth, and Salinger chronicled.
For one thing, World War II had not happened. For another, the television had not yet taken over as a standard domestic appliance. But the movies and radio were in full swing, forever altering the way we consume words, images, advertisements, and stories. Schwartz and West had to compete with these newfangled media. In one of my favorite passages from “Miss Lonelyhearts,” West, through the prism of that novel’s narrator, laments how the noun dreams has lost its aura in this new era:
“Although dreams were once powerful, they have been made puerile by the movies, radio and newspapers. Among many betrayals, this one is the worst” (39).
Earlier this week, Ilan Mochari wrote about the autobiographical elements in his novel, “Zinsky the Obscure” (Fomite Press). His blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
A few months ago I finished Pete Townshend’s autobiography, “Who I Am.” I can’t say I was surprised to read the following:
We shared our house with the Cass family, who lived upstairs and, like many of my parents’ closest friends, were Jewish. I remember noisy, joyous Passovers with a lot of Gefilte fish, chopped liver and the aroma of slow-roasting brisket (11).
Why was I not surprised? As a lifelong fan of The Who, I’ve often felt there was something ineffably Jewish in their themes and melodies. I’m thinking in particular of the devotional litany from “Tommy”:
Listening to you, I get the music / Gazing at you, I get the heat / Following you, I climb the mountain / I get excitement at your feet / Right behind you, I see the millions / On you, I see the glory / From you, I get opinions / From you, I get the story.
Those hoping there would be a sequel to Maurice Sendak’s classic children’s book “Where the Wild Things Are” are in for a disappointment.
A Kickstarter campaign to raise money for a poem called “Back to the Wild” has been suspended following a copyright complaint from HarperCollins, which published the original “Wild Things.” The U.K.-based crowdfunding campaign aimed to raise £25,000 to publish the new work.
According to the legal notice sent by HarperCollins, “The infringing material is a proposal to create a “sequel” to WHERE THE WILD THINGS ARE… would clearly violate the Estate’s right to create derivative works.”
Although “Back to the Wild” is based on the original, it was written by poet Geoffrey O. Todd and illustrated by Rich Berner. It was intended to tell the story of Max returning to the land of the Wild Things 30 years later together with his daughter, Sophie.
Ilan Mochari’s novel, “Zinsky the Obscure” (Fomite Press), is now available. He is Chief Writer for The Build Network and a contributor to Cognoscenti, the online magazine for Boston’s NPR News Station. His blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
I get this question all the time: How autobiographical is your novel?
The book’s style, setting, and protagonist invite the question: It’s a first-person coming-of-age debut. It takes place largely in New York and Boston, where I’ve spent most of my life. And the main character — the Zinsky of the title — is my age.
But my honest answer is this: “The life I’ve lived is different from the tale I spin about a fictional character named Zinsky. But I’ve used plenty of ammunition from my life to create Zinsky and his story.”
The thing is — there’s heavy ammunition, and there’s light ammunition.
In the category of heavy ammo, I’d list the following:
Earlier, David Ehrlich wrote about the shared culture, language, and fate of Israelis. His blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
My third book was published this week. Needless to say, I’m somewhere between panic and excitement. It’s the first one in English after my two books in Hebrew. When I come up with a new book I’m preoccupied with all kinds of questions, such as:
With my new book published in the U.S., I also have worries as an Israeli author, such as:
David Ehrlich has published two books of short stories in Hebrew, “18 Blue” and “Tuesday and Thursday Mornings.” His newest book, “Who Will Die Last: Stories of Life in Israel,” is now available. His bookstore-cafe in Jerusalem, Tmol-Shilshom, is a haven for avant garde artists and writers, hosting readings by authors such as David Grossman, Etgar Keret, and A. B. Yehoshua. His blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
Here’s something that just happened to me. I was walking with an American friend in the picturesque quarter of Neve-Tsedek in Tel-Aviv, looking for an ice cream place called “Savta” (Grandma). We asked someone where it was and he showed us the way, just two blocks from there. “But you know what,” he confided, “There’s an even better ice cream place in the other direction, also very near.” We still continued to Savta’s, either because of the attractive name or because we saw from a distance the beautiful setting in a shady, flourishing side alley. Ice cream is not only ice cream, it’s also the experience around it, right?
As we took our seats, my American friend said, “I can’t believe it. In the U.S. they’d have told you exactly how to get there and that’s all. Here, they’ll tell you that there’s a better ice cream.”
“Of course,” I said, “and I’m surprised this guy didn’t recommend the flavors.”
Lynda Obst is a Hollywood insider but not a fan of what she sees happening in Tinseltown. A former editor of The New York Times Magazine, she became a successful producer, with such films as “The Fisher King” and “Sleepless in Seattle” to her credit.
But at some point, Obst realized that she wasn’t in Kansas anymore — or suburban New York, where she grew up. She was finding it increasingly difficult to get her kind of films made. Hollywood execs, she claims, became less interested in movies with staying power than in films that open wide (in 3,000 or so theaters) and have big initial weekends. This take-the-money-and-run philosophy meant making films that attract teenage boys: They dominate the first weekend audience, which is why you’re as likely to find your favorite superhero on the silver screen as in a comic book.
In 1996, Obst wrote “Hello, He Lied,” about her experiences in the modern studio system. She’s followed that — a sequel, in movie speak — with the just published “Sleepless in Hollywood: Tales from the New Abnormal in the Movie Business” (Simon & Schuster).
Obst spoke to The Arty Semite about feeling “lost in translation” when she first arrived on the Left Coast, the changing landscape of the film business and dinner table arguments between the religious and secular branches of her family while she was growing up.
Curt Schleier: Let’s start with a chicken-or-egg question: What came first, older people not going to the movies, or the film business not making movies that interest the older crowd?
Earlier this week Timothy D. Lytton wrote about a recent scandal at a kosher meat market in L.A. and organized crime and kosher food certification. His blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
Kosher food certification has come a long way in the past 100 years (see my earlier posts on the Baff Murder and the L.A. kosher meat scandal). Consumer vigilance has been a key factor in improving the reliability of kosher certification. Of the estimated 12 million American consumers who buy kosher products because they are certified kosher, 8% are religious Jews who eat only kosher food.
This core of religiously observant consumers is highly motivated to monitor the reliability of kosher certification. They call agency hotlines to report improperly labeled products — for example, products with a pareve (indicating the absence of any dairy products) label that nonetheless list dairy ingredients on their packages, packages with agency symbols that appear to be counterfeit, or items that contain ingredients that the consumers suspect are not kosher.
Earlier this week, Matthue Roth wrote about why kids love scary stories. His blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
I was trying to figure out how to get people to buy “My First Kafka” from me directly instead of, say, Amazon. Don’t get me wrong, I’m happy when anyone buys my book from anywhere, but it’s a nice feeling when you actually sell the copy yourself. (Also, you make slightly more than the 43 cents per copy or whatever that you get from your publisher, but that’s a different story.)
So I wrote this tiny mini-book. It’s a short story, and it’s called “The Last Golem in Prague.” It was an 11th-hour creation in every sense. The books had just arrived in the mail, people were actually buying them, which I couldn’t (and still mostly can’t) believe, and I had to send out something. For months I’d sat in front of my notebook, page blank, wondering what sort of story I should write for whatever people might buy my weird children’s book.
And then, at 11:59 or so, everything clicked together.
Earlier this week Timothy D. Lytton wrote about organized crime and kosher food certification. His blog posts are featured on The Arty Semite courtesy of the Jewish Book Council and My Jewish Learning’s Author Blog Series. For more information on the series, please visit:
This past March, the owner of Doheny Glatt Kosher Meat Market, Los Angeles’s largest purveyor of kosher meat, was discovered smuggling repackaged meat of unknown provenance through the back door of his butcher shop. The mashgiach (kosher supervisor), had unlocked the door for deliveries and then, against kosher protocol, left the premises to attend to personal business, leaving the market unsupervised. Erupting the day before the start of the Passover holiday, the scandal cast doubt on the status of thousands of briskets roasting in ovens throughout the city. An emergency council of rabbinic authorities held just in time for Passover seder that consumers could presume that meat previously purchased from Doheny was kosher.
The Rabbinical Council of California (RCC), which provided supervision to Doheny’s came under fire for the misfeasance of its mashgiach.
As a result of the scandal, the RCC’s reputation suffered. Several restaurants under RCC supervision switched to a rival certification agency, Kehilla Kosher. To stem the damage, the RCC called in the nation’s largest kosher certifier, the Orthodox Union (OU), to audit its supervision at three L.A. restaurants and reassure the public of its reliability. According to coverage by L.A.’s Jewish Journal: