A November of concerts featuring fall colors and Yiddishkeit is available to Manhattan music lovers. On November 3 & 4 at New Brunswick’s State Theatre in New Brunswick and Newark’s NJPAC respectively, explosively expressionistic colors will be conveyed by the New Jersey Symphony Orchestra and conductor Augustin Dumay in Arnold Schoenberg’s stirring “Transfigured Night.” Also on November 3 at the Ukrainian Institute of America, broodingly autumnal shades will be explored when the Ensemble Made in Canada plays Gustav Mahler’s ultra-romantic Piano Quartet. On the same day at Bargemusic the bountiful musical harvest will continue as Trio 21 offers the New York premiere of an arrangement for piano trio and narrator of Glen Roven’s sensitively fashioned orchestral work for children, “Runaway Bunny.”
On November 8 at Lincoln Center’s Rose Studio will be two performances of a chamber music programme including Aaron Copland’s kaleidoscopic 1937 Sextet for Clarinet, String Quartet, and Piano by an ensemble featuring violinists Arnaud Sussmann and Areta Zhulla, as well as cellist Fred Sherry. Copland, who is most likely the only Jewish gay Communist composer whose music was ever performed and recorded by The United States Marine Band, is also unique for the splendid range of expression and melodic charm of his works.
The following day at Bargemusic,, pianist Nataliya Medvedovskaya performs an excerpt from “Three Preludes” by Richard Danielpour, a New York-born composer of Persian Jewish origin. Danielpour described these prismatic pieces as “musical responses to dreams that I had.” A more somber-tinted reverie by the same composer will be heard on November 14 at the 92nd Street Y when the Kalichstein-Laredo-Robinson Trio interprets “A Child’s Reliquary” which the composer calls a “kind of ‘Kindertotenlieder’ [Mahler’s ‘Songs on the Death of Children’] without words.”