The Arty Semite

Jazz Pearls of Sweet Nostalgia

By Eileen Reynolds

  • Print
  • Share Share

Gaucho’s “Pearl,” released last month on Porto Franco Records and launched at the Jewish Music Festival of Berkeley, Calif., is the perfect accompaniment to a lazy autumn afternoon. Channeling the sounds of 1930s Paris, the San Francisco-based sextet plays the kind of gentle, sometimes-jubilant, sometimes-melancholy swing that doesn’t make you want to get up and dance so much as lie around and reminisce about bygone nights spent carousing. Like the best Gypsy jazz, this music is coyly nostalgic; it masquerades as carefree but leaves you with a mysterious ache.

Gaucho

For their fourth album, Gaucho have teamed up with the New York-based jazz vocalist Tamar Korn, and this collaboration makes for some of the music’s most exciting moments. Korn’s voice is high and girlish, with an uncanny tremor that makes it sound like it’s been lifted directly off of an old record. On the album’s first track, “Sing On,” a mischievous piece written by bandleader Dave Ricketts, Korn trades solo lines with cornetist Leon Oakley. The effect is humorous because Korn is such a good mimic, belting out brassy squawks of her own. (Later, in drummer Pete Devine’s tune “Little Sweetie,” her scat syllables take the form of distinctly feline yowls.) Following saxophone and cornet solos in the group’s jaunty rendition of the jazz standard “Avalon,” Korn sings the melody freely, with big swoops and operatic flourishes, as the drums and bass (Ari Munkres) maintain a brisk, chugging groove underneath.

Listen to ‘Sing On’:

That’s not to say that the singer is the star of the show: Gypsy jazz is guitar-driven music, of course, and Dave Ricketts plays with a particularly appealing blend of classical precision and expressive swagger. He also wrote most of the music on the album, and he has a great ear for surprising, wistful harmonies that color even the most upbeat pieces. There are plenty of the usual dazzling arpeggios and runs here, but Ricketts’s subtle inflections of tone and phrasing lend unexpected pathos to even the most virtuosic passages. The other instrumentalists follow his emotive lead: Ralph Carney offers a brilliantly raunchy, New Orleans-style clarinet solo in “Doublebarrel”; Rob Reich makes the accordion sing sweetly in “Angel”; and Leon Oakley’s cornet is nimble and saucy throughout.

Listen to ‘Angel’:

The album’s oddly charming title track, “Pearl,” is a meandering, seven-minute lover’s lament that — against all odds — comes across as neither maudlin nor too long. Ricketts’s hesitant, unaccompanied guitar solo sets the reflective mood, the accordion quietly enters with rich, chromatic harmony, and the drums and bass settle into a relaxed rhythm fit for a soft-shoe dance. Korn, who enters with a sighing melody after about two minutes, wrote the despairing lyrics for the piece:

Oh, you were my pearl
A treasure of the sea.
You opened my eyes to see a world inside
Of beauty unknown to me.
Oh how I lament all the time
I wasted life with pride.
A treasure lost to me,
Pearl of the sea.

This chorus looks a little overwrought on the page, but its maritime theme actually complements the music, which calls to mind a river scene with amorous couples drifting around in gondolas. Major and minor chords alternate so frequently that it’s impossible to decide whether this song is happy or sad. We’re wallowing in sorrow, yearning for the past, and yet it’s a grand old time; nostalgia is a pleasurable sensation. Who knows, in the end, whether we’re aching for our own past loves, for the Parisian cafes, or for a glimpse of Django Reinhardt himself? It hardly matters. There’s something to be said for music that makes us miss places we’ve never been and people we’ve never known.

Watch Gaucho play ‘Pearl’ at Tartine Bakery in San Francisco:


Permalink | | Share | Email | Print | Filed under: Tamar Korn, San Francisco, Rob Reich, Pearl Gaucho, Paris, Nostalgia, Music, Leon Oakley, Jazz, Jewish Music Festival, Gypsy Jazz, Django Reinhardt, Dave Ricketts, Berkeley, Autumn

The Jewish Daily Forward welcomes reader comments in order to promote thoughtful discussion on issues of importance to the Jewish community. In the interest of maintaining a civil forum, The Jewish Daily Forwardrequires that all commenters be appropriately respectful toward our writers, other commenters and the subjects of the articles. Vigorous debate and reasoned critique are welcome; name-calling and personal invective are not. While we generally do not seek to edit or actively moderate comments, our spam filter prevents most links and certain key words from being posted and The Jewish Daily Forward reserves the right to remove comments for any reason.




Find us on Facebook!
  • The Jewish bachelorette has spoken.
  • "When it comes to Brenda Turtle, I ask you: What do you expect of a woman repressed all her life who suddenly finds herself free to explore? We can sit and pass judgment, especially when many of us just simply “got over” own sexual repression. But we are obliged to at least acknowledge that this problem is very, very real, and that complete gender segregation breeds sexual repression and unhealthy attitudes toward female sexuality."
  • "Everybody is proud of the resistance. No matter how many people, including myself, disapprove of or even hate Hamas and its ideology, every single person in Gaza is proud of the resistance." Part 2 of Walid Abuzaid's on-the-ground account of life in #Gaza:
  • After years in storage, Toronto’s iconic red-and-white "Sam the Record Man" sign, complete with spinning discs, will return to public view near its original downtown perch. The sign came to symbolize one of Canada’s most storied and successful Jewish family businesses.
  • Is $4,000 too much to ask for a non-member to be buried in a synagogue cemetery?
  • "Let’s not fall into the simplistic us/them dichotomy of 'we were just minding our business when they started firing rockets at us.' We were not just minding our business. We were building settlements, manning checkpoints, and filling jails." What do you think?
  • PHOTOS: 10,000 Israel supporters gathered for a solidarity rally near the United Nations in New York yesterday.
  • Step into the Iron Dome with Tuvia Tenenbom.
  • What do you think of Wonder Woman's new look?
  • "She said that Ruven Barkan, a Conservative rabbi, came into her classroom, closed the door and turned out the lights. He asked the class of fourth graders to lie on the floor and relax their bodies. Then, he asked them to pray for abused children." Read Paul Berger's compelling story about a #Savannah community in turmoil:
  • “Everything around me turns orange, then a second of silence, then a bomb goes off!" First installment of Walid Abuzaid’s account of the war in #Gaza:
  • Is boredom un-Jewish?
  • Let's face it: there's really only one Katz's Delicatessen.
  • "Dear Diaspora Jews, I’m sorry to break it to you, but you can’t have it both ways. You can’t insist that every Jew is intrinsically part of the Israeli state and that Jews are also intrinsically separate from, and therefore not responsible for, the actions of the Israeli state." Do you agree?
  • from-cache

Would you like to receive updates about new stories?




















We will not share your e-mail address or other personal information.

Already subscribed? Manage your subscription.