Screenshot via Youtube
It’s no secret Jewish history has traditionally been told from a male perspective, but a new animated video depicting the development of Jewish feminist consciousness provides a different take.
Directed and narrated by singer-songwriter Michelle Citrin, the video focuses on biblical and historical figures such as Miriam the Prophet, Rabbi Regina Jonas, and Gloria Steinem and highlights the long history of women seeking empowerment in and through Judaism.
The clip is part of synagogue B’nai Jeshurun’s ‘Shout Equality’ social media campaign that encourages women (and men) to describe a “specific moment or experience when they realized gender mattered to them as Jews.”
Watch the video below:
Bat mitzvah girl Sasha Lutt reads from a tiny Torah scroll smuggled into the Kotel / Haaretz
I am sitting in front of my computer, talking via Skype with three women in Israel — Irina Lutt, her 12-year-old daughter Sasha, and Shira Pruce — who are kicking back after a day of school and work. Sasha made history at her bat mitzvah last week when she became the first female to read Torah at the Western Wall in 25 years. The fact that she’s a celebrity doesn’t seem to have registered with her. “You made the New York Times!” I tell her. She looks quizzically at her mother; she has never heard of the Times.
Shira, who is translating for us and trying to get Sasha to eat something, is director of public relations for Women of the Wall (WOW), the organization that has been fighting for a quarter century to secure the rights of women to pray at the Kotel. She and Irina know what a hard-won victory this bat mitzvah was for WOW and for the rights of women in Israel.
To begin with, they had to smuggle in a tiny Torah, because women have been aggressively and sometimes violently blocked from reading Torah at the Wall. Surrounded and sheltered by a circle of women, Sasha had to use a magnifying glass to read the text. She shrugs off my comment that this must have been tough. “I knew it really well,” she says.
What’s up with these men — my brothers — who refuse to sit next to women — my sisters — on planes and trains, buses and light rails?
The situations of frum men refusing to sit next to women lend themselves to a kind of grade-school snickering. Methinks the man doth protest too much, way too much. In fact, one imagines a gap between what they are thinking and what they are saying — something like, “I can’t (but desperately really want to) sit next to you” The woman might be thinking the same thing or the opposite “I am insulted and also glad that you don’t want to sit next to me, thank you very much.” Beneath the oppressive humor though there may be serious matters at stake.
As everyone knows, much of the hubbub and hullabaloo has formed around a prominent Orthodox feminist whose flight from Israel to the United States was delayed by a man who insisted that he did not have to sit next to her — a woman — for religious reasons. The woman rather than just “take it” protested loudly calling it an insult akin to racism and published an article about it. In a separate incident reported in the Washington Post and elsewhere, a number of “ultra-orthodox” men delayed a flight to Israel, causing “chaos and panic in the aisles” because they did not want to sit next to women.
Bar Rafaeli in a commercial for Carolina Lemke / Copyright: Youtube
In a recent commercial for an Israeli fashion eyewear company Carolina Lemke, Bar Rafaeli is featured bespectacled and pole-dancing in a dream sequence inside of a subway car, across from a leather-clad man who is checking her out.
The Israeli model writhes her away up and down the pole in a midriff-baring tee, jeans and stiletto heels, and we are to find her desirable until the truth is revealed: The woman is actually chubby, something the guy only realizes when he puts on his Carolina Lemke’s glasses.
Lesson? Fat is the antithesis of hot, and confusing one for the other is so ridiculous that it’s worthy of a punchline.
That’s a terrible idea, but it is not the one stirring up most of the complaints in Israel. As Haaretz writes, the majority of viewer take issue with the way in which the ad objectifies Rafaeli, putting “her in a pornographic pose just to catch the viewer’s eye” as one viewer put it.
Copyright Ingrid Muller
Dr. Elana Maryles Sztokman, the former executive director of the Jewish Orthodox Feminist Alliance, is a leading writer and thinker on topics of feminism, Judaism, Israel and orthodoxy. Her first book, The Men’s Section: Orthodox Jewish Men in an Egalitarian World, won the 2012 National Jewish Book Council Award in the area of Women’s Studies. Her second book, Educating in the Divine Image: Gender Issues in Orthodox Jewish Day Schools (co-authored with Dr Chaya Rosenfeld Gorsetman), won the 2013 National Jewish Book Council award in the area of education and identity.
Next month, her latest book, The War on Women in Israel: A Story of Religious Radicalism and the Ravaging of Freedom, will be released by Sourcebooks. In a recent piece for the Atlantic, “Gaza: It’s a Man’s War,”, Sztokman, who lives in Modi’in, Israel, looks closely at the impact of sexism in Israeli society, particularly in the context of the current Gaza war.
Chanel Dubofsky caught up with Sztokman, who said that her book was born on this blog, The Sisterhood, where she started posting stories about gender segregation in 2009, via Google’s instant messaging service gchat.
Chanel Dubofsky: Set the scene for us regarding feminist activism in Israel.
Elana Sztokman: There is a lot of entrenched macho in Israeli culture. The challenge is the way in which that macho intersects with religion and the (secular) business and political establishment’s support of religious radicalism for their own needs and interests. It’s easy for men across the spectrum to throw women under the bus for the sake of coalition, business or money. Women are fighting this reality, to raise awareness that protecting women’s rights is a basic part of democracy, and to introduce different thinking about the role of religion in Israeli society and politics. There is no separation of religion and state in Israel, which means that religious groups have had tremendous political influence over the years. Religious (male) Elana’s wordsleaders have gotten away with lots of very anti-democratic stances and policies vis a vis women. It’s an uphill battle, but there is definitely a growing consciousness that we are witnessing now, and there is something exciting on some level in watching a real feminist movement grow from the ground up.
The road to the corner office isn’t an easy one for a woman. There is the glass ceiling to break, and then the maternal wall to mount and then, if you get that far, there are glass cliffs to avoid. Oh my!
This week marks the 25th anniversary of Seinfeld, the mostly loved but sometimes reviled sitcom about nothing. In honor of this milestone, the Sisterhood would like to pay our dues to the character of Elaine Benes, whose spunk and guile was given shape by the most enduring cast member, Julia Louis-Dreyfuss. Elaine was an unlikely shero for the generation of women who grew up on the show and today, as we look back, it feels fair to crown her as an official feminist icon. Here are five reasons why.
Cross-country skiing in a skirt / Courtesy of youcandoitinaskirt.wordpress.com
As someone who identifies as an Orthodox feminist but still (mostly) follows the dictates of tznius, or modesty, I often find myself feeling marginalized. Among the women who dress the way I do, I am judged for my progressive views; among those with views more like mine, I am judged for the way I dress.
Consequently, when someone in an Orthodox feminist forum linked to the website You Can Do It In A Skirt, I was one of its few supporters. “Anything you can do, I can do it in a skirt,” the site’s tagline proclaims. It features photos of skirt wearing Orthodox girls and women doing physical activities that most would do in pants: riding a horse, swimming, cartwheeling, running a marathon, hanging upside down on monkey bars, and jet skiing.
Although other Jewish feminists on the Internet (or on that particular forum, at least) seem to be unimpressed with this website and its accompanying message, I think You Can Do It In A Skirt is important. It debunks the myths that Orthodox women are coerced into wearing skirts, and that their garb prevents them from living life to the fullest.
Getty Images // Ultra-Orthodox women in Israel
Who are the gatekeepers of the conservative religious ideal of tznius, or modesty? This question has been argued and parsed on social media and on blogs in recent years as radicalism in the ultra-Orthodox communities has taken on new and more visible forms.
A common misperception is that rabbis and male community leaders are fueling the radical surge. But are Haredi women indeed victims of a patriarchal culture that puts extreme and outsized emphasis on tznius? Are Hasidic and Yeshivish women merely oppressed by fanatical males fervently trying to control their flock of subservient women?
Yes and no.
Getty Images // A smiling Gloria Steinem.
In a recent column, the Guardian’s Jessica Valenti takes aim at our culture’s fixation on the happiness of women.
She argues that we shouldn’t concern ourselves with whether or not feminism makes women happier because happiness is not the point.
After all, a social justice movement seeks justice, not contentment. The truth is a little unhappiness is good for the soul — and the movement. When I started Feministing, it wasn’t because I was happy: it was because I was frustrated. There’s nothing “happy” about fighting to end rape, to end discrimination, or for the right to be considered capable enough to decide what happens to our own bodies.
In her already widely dissected 4,300 word Vanity Fair essay, Monica Lewinsky takes aim at the feminists of the late 90s.
She says she found no support from the women’s rights crowd back then, and when they did respond to the situation she appeared either as a punch line or a scapegoat. No one seemed to think much about whether she was exploited, or about the undeniable double-standard at play. Bill Clinton emerged, after a few bumps and bruises, a rock star; Lewinsky, a scarlet-letter branded harlot who still struggles to get work today.
When the asked whether the scandal might have been affecting Gore’s run for presidency, the ever-tactful Betty Friedan told the Los Angeles Times:
What is that? I can’t stand the way you media people just trivialize everything. It’s the campaign for the president of the United States… . What is your concern with some little twerp named Monica? What has she got to do with the presidential election? That just disgusts me.
Barbara Ehrenreich called the aftermath of the scandal “The Week Feminists Got Laryngitis.”
Others, like Maureen Dowd painted her as a looney bimbo, and others like Erica Jong and Katie Roiphe (who doesn’t have the tidiest of a feminist record herself) also didn’t have much in the way of words of support for her, all the while they gushed about adorable Bill.
Shondes.com // Louisa Solomon of The Shondes
Louisa Solomon is the feminist lead singer of The Shondes, a punk-rock band (think “Bruce Springsteen meets Bikini Kill,” she jokes) with openly queer members. The Forward once said she had “ a talent for androgynous sass.” Although the group espouses punk’s rebellious ethos and sometimes touch on geopolitics in their lyrics, they’re not explicitly political. “Most of our songs are about the power of friendship, hope, surviving heartbreak. We aren’t terribly polemic,” Solomon told me during a Friday afternoon gchat. “We are a rock band, we try to write anthems that help people survive, and we regularly invoke Judaism!”
Last week, feminists launched a flurry of actions demanding the inclusion of abortion rights as a topic tackled by trendy TED talks. A representative from TED, interviewed by Jessica Valenti for her column in the Nation, had deemed the subject too political and controversial. This admission was followed by a petition from NARAL and general online outcry (digital feminism! it works!) which then prompted a lot of backpedaling from TED. So far, so good. We’ll just have to wait and see whether abortion-themed talks emerge from the slick-wisdom factory of TED in the future.
Editor’s note: This post is the third in a three part series answering the question, “How should Jewish feminism change in 2014 to be more effective?” Read the first post here and the second post here.
It’s no secret that women have a hard time supporting one another. Sure, we’ll bring each other lasagnas and casseroles when we’re sick, and we’ll give each other warm hugs as we listen to one another kvetch. But real support, the kind where we stand behind one another and say, “This woman is my leader; I trust in her vision, and I am willing to follow her,” well, not so much. As Facebook Chief Operating Officer and “Lean In” author Sheryl Sandberg has pointed out, when women are successful, we all tend to attribute their success to luck or to pluck rather than to intelligence and worthiness. The more women have ambition and vision, the less they are considered likable, by women and men alike. When a woman does well, she tends to hear things like, “You must be lucky,” or, “You’re obviously persistent,” as opposed to, say, “You’re a skilled, intelligent visionary.” We tend to be more comfortable with women as soft, submissive and servile than we are with women of power.
Editor’s note: This post is the first in a three part series answering the question, “How should Jewish feminism change in 2014 to be more effective?”
This past year was an extraordinary one for digital feminism. Debates and ideas that originated on the feminist Web became national news, as the generation of activists weaned on blogs and social media began to ascend into the mainstream ranks in media and activist organizations. Thousands of voices joined together in online campaigns, both planned and spontaneous, and sometimes quite radical. (A black feminist critique of white feminism! A Texas filibuster in favor of abortion rights!) Today, nakedly feminist content appears everywhere from The Huffington Post to The New Republic, and mainstream websites don’t relegate that content to a single beat writer or to a feminist subsection.
The question going into 2014 is, what do feminist activists do with this power? My hope is that digital feminism can leverage its newfound mainstream visibility to provoke even deeper and more nuanced conversations, and that we can transcend the Web’s tendency to force us into opposing camps. I hope it’s the year we take online feminism’s spirited debates and expand them to create dialogue that leads to common ground and to action. Our work is needed more than ever. We face persistent problems: a war on the working poor that affects mostly women, a continual erosion of reproductive rights and sexist messages from the media.
In the past 20-some years, women have “taken back” many things from the patriarchy. These include lipstick, the words “lady” and “slut,” and knitting. But there is one last thing feminists have yet to re-appropriate, and that, according to a new essay in Elle magazine, is dieting.
In this month’s magazine Marisa Meltzer writes about her struggle to reconcile her desire to lose weight and her identity as a feminist. She said she felt she had to keep her recent diet a secret, even as it made her physically feel much better, because no smart, enlightened woman would do such a thing.
“I fear that instead of fighting for a world where all bodies are admired,” Meltzer wrote, “I’m pandering, reshaping my body to make it acceptable to the world around me.”
According to the BBC, a quiet revolution is taking place among ultra-Orthodox women in Jerusalem. They have discovered the power of mascara.
There are, of course, numerous strict restrictions on these women when it comes to their appearance. They must wear modest clothes — no elbows, no collar bones — cover their heads, and many even cut off their hair. And yet, whether it is pressure from the secular world to look a certain kind of pretty or some deep-rooted desire in women to beautify oneself, they are heading to the beauty salon.
On November 4, I celebrated the 25th anniversary of Women of the Wall with over 600 women at the Kotel — a joyous event that went off with little of the usual chair-throwing, whistle-blowing and megaphone-enhanced cursing that the group normally endures during its monthly prayer protests. Two days later, Israeli Foreign Minister Avigdor Lieberman donned a tallit and celebrated his acquittal on corruption charges at the Kotel.
I was struck by the juxtaposition. For 25 years this group of pious, multi-denominational, serious women have tried to gain the right to pray at the Kotel with tallit, tefillin and Torah, and have only recently won the tenuous right to the first two but not the third. Lieberman can swagger right up to the front with his kippot-clad guards and be sure he will be welcome.
I wish I could feel that the stones themselves are imbued with holiness. But the mechitza (the partition between men and women) has slowly moved to the right — both physically and metaphorically — from half the Western Wall being open to women to only 12 meters compared to the 48 for men. Presidents and popes place their little notes in the crevices without being briefed about or taking note of what happens on the other side. Scores of evangelical tourists squeeze their way through to the front trying to soak in the Jewish vibe while praying for their own messiah to come back and redeem them and the place. Shas leaders preen for the press and pray there for success in their next campaign. There are separate entrances, and now a “men’s only” upper plaza where women cannot even tread. And day after day both male and female Haredim pray there for the restoration of the priesthood, the Temple and the sacrifices, taking up the spaces closest to the stones. Those prayers and subsequently the stones which absorb them do not speak to me, or for me. Instead they have become a symbol of an encroaching public misogyny, an ultra-Orthodox legal hegemony and a manufactured emotional tourist-industry “high-point-of-your-trip” site that is part primitive and part Disney.
I can think of a hundred other places in Israel where I feel more spiritual. Give me instead a trip to the Ramon Crater, a hike to the top of Masada, a sunset in the Galilee, an afternoon at Yad Lakashish watching 90-year-olds in Jerusalem create Judaic art, a Friday night singing “Lecha Dodi” at the port in Tel Aviv. Give me instead the countless Jerusalem synagogues where on any Shabbat the harmonies of men and women move me to tears.
That does not mean I do not fully support Women of the Wall. I understand those for whom the Western stones are the only stones which have historical memory and the weight of tradition. In my dreams, like them, I want a Western Wall where every Jew feels welcome, nurtured and valued. I want an apolitical wall not used to garner religious votes. I want a spiritual wall where harmonies are welcome and I can pray a silent Amidah with my tallit over my head. But that Kotel does not exist. The stones have been sullied and I think we need new “old” ones.
Women of the Wall is at a critical crossroads. Some members believe that the Western Wall can still have power for women, and that, if they fight hard enough, women’s prayer will one day be welcome there. And some of them know this is not possible, will never be possible, and in the meantime the right to don tallit and tefillin is hanging by a thin thread. This second group feels we have been given a historic opportunity to create and renew, and represented by the board of Women of the Wall, has agreed to move its monthly service over to the southern part of the Western Wall. There you can stand above fallen Herodian stones that are as old as the stones of the Western Wall. But this site doesn’t have the optics of the main part of the wall, the backdrop of the iconic paratrooper liberation photo of 1967.
A subset of Women of the Wall leaders and supporters, who disagree with a plan to compromise on where the group can pray at the Kotel, has doubled in size from 10 to 21. Women of the Wall is a feminist group pushing to be able to sing, pray aloud and wear ritual garments typically worn by men at the women’s section of the Kotel.
The subset group announced last week that it rejected a plan put forth by Jewish Agency chairman Natan Sharansky and conditionally accepted by Women of the Wall that would expand Robinson’s Arch, an area of egalitarian prayer.
The group released an open letter on Tuesday clarifying its dissent of the Sharansky plan and declaring that, “We are committed to our dream and to the work needed to fully realize and sustain it.”
Signatories include Rabbi Susan Silverman and Dr. Phyllis Chesler.
The dissenters wrote:
“The government proposes making structural changes at Robinson’s Arch to create a site to which all whose prayer practice is not tolerated by those who now control the Kotel will be relegated, leaving the Kotel permanently and officially in the hands of a segment of Jewry that suffers the presence of other Jews only on its terms. Regrettably, the Israeli government is yielding to intimidation, threats, and violence as the basis for policy making, rather than upholding the equality of rights of all citizens in public space that is enshrined in Israel’s Declaration of Independence.”
Rabbi David Saperstein, Director and Counsel of the Religious Action Center of Reform Judaism and longtime supporter of Women of the Wall, told the Forward that the Reform movement officially supports the Sharansky plan, and that dissent like this was not uncommon in Judaism. “It’s not that we don’t think there’s a legitimate argument on the other side,” he said. “It’s a respectful difference.”
“Good moral caring people can differ on strategies and tactics, and how to achieve common goals, in this case, equal treatment of women at the wall,” Saperstein said. “Each of the locations has different strengths, and each of the locations has drawbacks. It seems that significant majority are willing to embrace the Sharansky approach.
“We’re sympathetic and appreciative of the majority of Women of the Wall who think that opening a larger area of the wall to be accessible to all people, all Jews, is most effective way of addressing need of having egalitarian, pluralistic, access to the Wall,” he said.
In an email to the Forward, Chesler wrote: “It occurs to me that we are not the dissidents. We are sticking to our fundamental and foundational principles. We are, oddly, the traditionalists and the current WOW Board have departed from our tradition. We hope we can get them to change their mind and come back to basics.”
Stay tuned for more updates on this developing story.
I’m thrilled to introduce myself as the new editor of the Sisterhood blog. As the deputy culture editor of the Forward, I’ve been covering gender and Judaism for the past two years, writing about topics like halachic infertility, Hasidic feminism and transgender Jews.
But my path to the Sisterhood actually began long before my time at the Forward. In middle school English class, I was given an assignment to instruct my peers on a topic of my choosing. Initially, I thought I would “teach” my classmates why girls are better than boys. (My logic at the time was that girls can grow up to have babies, an argument that today strikes me as rather sexist.) But in the end, I decided to go with a less controversial lesson: How to insult someone in Yiddish. (“Gai kaken oifen yam” or “Go poop in a lake” is still my favorite.)
From a tender age, it would seem, I was ruminating on gender and Judaism and the interplay between the two. Now, some two decades later, I finally have the opportunity to share my views in the public sphere. (I guarantee they’ve evolved beyond “girls are better than boys.”)
Of course, I’ll be joined by a talented bevy of freelance writers who will share their personal stories, analyze breaking news and, in the words of founding Sisterhood editor Gabrielle Birkner, “break ideas” on the blog. Speaking of Gabi, I have some big shoes to fill. Gabi and Abigail Jones, the immediate past editor, populated the blog with thoughtful prose and meaningful series, like “What Jewish Feminism Means to Me” and “Women in Mourning.” I am indebted to both of them — and their hard work and vision — as I helm the blog moving Forward.