For those of you not plugged into the ongoing chatter in the parenting blogosphere, the buzz over the past week has been the great debate over Chinese so-called Tiger Mothers.
It seems that Yale Law Professor Amy Chua’s piece in the Wall Street Journal struck a chord to which no writing or blogging mother could remain indifferent.
The piece was an excerpt from her book, which has since rocketed up the Amazon charts titled The Battle Hymn of the Tiger Mother.
The Jewish world lost a great light with the untimely death of Debbie Friedman on January 9. She was an inspiration to multiple generations of song-leaders and Jewish musicians, congregants, campers, students, friends, rabbis, cantors and educators. Her impact on Jewish music and worship has been so widely felt across the Jewish spectrum, across movements, across generations and across oceans that it leaves a massive, gaping, black hole —dense with energy and aching with potential.
Debbie’s music provided the soundtrack to my childhood, whether it was her “Alef Bet” in Hebrew school, “Im Tirzu” and “Not By Might” at camp, or “Miriam’s Song” and “T’fillat HaDerech” at NFTY conventions. I sang Debbie’s “L’chi Lach” at my confirmation, at my high school graduation and again at my college baccalaureate. She was a personal mentor to me at a crucial period in my life when I was “coming up” in the song-leading world, and helped me land my first job when I moved from California to New York to work as a freelance Jewish musician in the years before cantorial school.
Eccentric and sure-footed Jewesses populate some of the non-fiction films at this year’s New York Jewish Film Festival, which runs through January 27 in New York City. This group includes two pretty young women who choose to leave behind the ultra-Orthodox communities of their youth, a documentarian who chronicles her dating life, a grieving mother who battles to cremate her daughter in Israel, the plucky writer and activist Grace Paley and Israeli teens who talk politics with their Palestinian and Arab-Israeli counterparts. Here are the films in which these women appear:
My So-Called Enemy begins in July 2002, when 22 Palestinian, Israeli and Arab-Israeli teenage girls go to the United States to take part in Building Bridges for Peace, a leadership program that teaches young women about peace-building and conflict resolution. A suicide bombing that takes place while the girls are overseas forces them to speak earnestly about how living in a war zone affects their daily lives. Director Lisa Gossels then follows six of the attendees over the course of seven years as they reconcile their experiences at camp with the harsh realities of life during and after the second intifada, with Gal, an Israeli in Tel Aviv, and Rezan, a Palestinian Christian in East Jerusalem.
Vered Shavit did everything she could to avoid the Israeli rabbinate. When she got married in 2005, she flew all the way to Cyprus for a civil ceremony, then had a Reform ceremony in Israel and never registered in Israel as married. But it didn’t matter. Despite everything, when she and the man decided this year to get divorced, she had to do it with a get, at the rabbinate.
“I didn’t want to get married in an Orthodox way because the religious institution is not a part of my life, and it is far from my beliefs and ideals,” Shavit, 37, told Ynet. “It seems weird for me that people that have nothing to do with religion and its traditions suddenly have to connect to it for their wedding. It seems extremely fake.”
It’s worse than that. It’s a dangerous intrusion of a state-backed religious fundamentalism into people’s private religious lives and personal practice. It’s downright frightening.
I hadn’t spoken to Debbie Friedman in many weeks and had only seen her once since she moved back to California. Still, I had to try. I sent her an email asking if she was coming to New York anytime soon, that I needed her. Ten minutes later, she emailed me back. “Is it Deb?” she asked. I’ll never know how she remembered that my cousin, whom she had seen at many Healing Services that she and I led together at the JCC in Manhattan, was ill. I’ll never know how she knew that my cousin was dying. I only know that everyone who knew Debbie has a story like this.
She got on a plane about four weeks ago and came to New York. Despite the fact that she was struggling herself physically, she came up to Mamaroneck and led an exquisite healing service for 70 people in my cousin’s living room. My cousin was fully present for the service — her sons and husband and father held tightly by her music, her spirit and the community in the room that felt so grateful to be there and give voice to their love.
It’s been a roller-coaster week of emotions in the wake of the Gabrielle Giffords shooting that horrified the nation last Saturday. On Wednesday, Sarah Palin confused and appalled Jewish groups by claiming that she was the victim of a “blood libel,” — a particularly curious choice of words, given that Giffords is Jewish. The same day, President Obama used the power of his oratory to attempt to bring hope and unity to an angry, bewildered nation. Obama urged us to join together and avoid recriminations, and he was right in sounding that note. But without directly pointing fingers I think we do have to interrogate our national character and ask why so many of us were shattered, but not surprised, about Saturday’s events?
When I first found out about the shooting, it was through a breaking news alert on my phone. Not near a computer, I had no idea if the shooting was a random rampage, a targeted attack, a product of a lone psycho or an ideologue. As the daughter of baby boomers traumatized by the wave of political assassinations of the ‘60s, and as a political writer who fretted about all the violent potential in the last two years — semiautomatic guns at political rallies, leaders spewing hatred tinged with menace, budget cuts and job loss cutting off help to the desperate and mentally disturbed — I saw a pot primed to boil over.
I was talking to my friend Paul the other day about Hawaii. The conversation took place during a rather mundane, everyday stressful event (grocery shopping with kids) so it’s possible that at that particular moment, Hawaii seemed even nicer than usual. Nevertheless, when Paul asked me how my recent trip to Hawaii was, all I could think about was the sunset.
“For many people on Maui, life revolves around the sunset,” I told him. It’s true. When I would make appointments — I was invited by the Jewish Congregation of Maui to consult on education and development — people would ask to time them before sunset so we could talk and watch the sunset at the same time. Once, when I asked for directions near the beach, the response was, “Soon everyone will be coming out to watch the sunset, so I’m sure someone will be able to help you.” Facebook pages of Hawaiians are replete with sunset photos, and conversations often involve comparing tonight’s sunset with those of previous nights.
Last week Salon announced that Broadsheet, a trailblazer for feminist blogs like this one, and breeding ground for great feminist writers like Rebecca Traister, and Tracy Clark-Flory, was being shut down.
Salon’s executive editor Kerry Lauerman explained:
No feature in Salon’s history kicked up the amount of righteous dust and ad hominem rage as Broadsheet, which debuted in 2005 and filed its last regular post on Dec. 21. We’re immensely proud of the role it’s played raising intensely important questions about women’s issues in politics, pop culture and way beyond. For much of the last year, Broadsheet has been a one-woman show performed by Tracy Clark-Flory. She’s done a terrific job, but it’s time for her to move on to focus her attention on stories that she’s most interested in — analyses and reporting on sex, love and relationships — and stop running Broadsheet.
Jake Marmer, who writes about poetry for the Forward, is an excited father-to-be. He shares what it’s like to be an expectant dad in this piece of performance poetry, titled “Kicks”:
Marmer is working toward his Ph.D. in comparative literature at CUNY Graduate Center and developing the Jazz Talmud Project, which combines poetry and music in neo-Talmudic performances. His next performance is tonight at the Cell Theater. Information is at www.jakemarmer.wordpress.com.
I am disgusted by what someone who goes by “DLevy” has written about Debbie Friedman on the Jewschool blog, breaching basic standards of dignity and respect, and what people are sending around the Twitterverse. As Debbie’s funeral is livestreamed, people watching and posting comments are conjecturing about whether her partner will be named.
I’ve been asked to respond to this, or else never would have discussed it publicly, because Debbie would not have wanted her personal life bandied about. The privacy and dignity with which she lived her life – all aspects of her life – should be respected, not tossed aside to satisfy someone else’s prurient curiosity or politics.
Debbie was not in the closet. Neither did she ride floats at a gay pride parade. She was, quite simply, a private person. She did not shout from the rooftops. She responded to alienation and injustice through the music she wrote that changed the way we pray.
Jewish women’s head covering is once again in the news, a heated topic among rabbinic men who are obviously not afraid of a little invective when it comes to women’s bodies.
The latest item is an incendiary letter by a Canadian Haredi rabbi named Shlomo Miller. Miller was responding to a scholarly article by Rabbi Michael Broyde in the journal “Tradition” that demonstrates that head covering is not a commandment written in stone, as it were, but “merely” a rabbinic prohibition that evolved over generations and therefore has room for interpretation and flexibility.
Miller, in response, said of Broyde’s article that “all the lengthy diatribe therein is nothingness and an evil spirit,” and proceeded to compare him to “Acher,” a notorious heretic in Jewish history. So much for reasoned debate.
Broyde’s article was actually written more than a year ago, making Miller’s reaction a bit late in coming. Nevertheless, whether because Miller is a religious celebrity or because his language was so harsh, it seems that Miller’s letter is buzzing the Orthodox Jewish blogosphere.
As our previous post noted, Debbie Friedman is seriously ill and needs our prayers. She has a special place in my heart, as she does in the hearts of countless others, because Debbie is an extraordinary person with extraordinary gifts and an extraordinarily generous spirit, and she has made a remarkable impact on our lives. No one else, besides Shlomo Carlebach, has changed modern Jewish worship the way Debbie has.
With her music, written over the past 40 years or so, Debbie bridges heaven and earth. She takes text straight out of Torah, the writings of the Prophets and the prayer book, and sets them to music that is brilliant in its simplicity. The melodies are easy to learn, and the refrains usually perfect to sing in rounds. It joins those singing together in community and elevates their spirits. It’s hard to overstate the impact of being at one of her feminist seders or healing services. As you sing you can stop thinking, and just be in the prayer-songs. Your desperation, fears and sadness ride up on the wave of her powerful music and you feel connected to God, as well as to everyone singing with you. When you finally do stop singing, you find that your soul has been soothed.
Debbie, who has described herself to me as “a vessel” for God’s power, has long tried to bring that experience to as many people as she can, going to the bedside of anyone seriously ill and bringing them comfort when little else can.
Fifteen years ago today, Debbie Friedman gave a sold out concert at Carnegie Hall, commemorating 25 years as one of the Jewish community’s most beloved singers. Yesterday, Friedman was hospitalized for pnemonia. JTA reports that she is currently sedated and on a respirator.
Debbie Friedman began recording on her own label in 1972 and has since recorded 20 albums that have sold over 200,000 copies. Today, her music is sung in synagogues across the U.S. and has become so widespread that, for many, it is thought of as “traditional.” Her “Mi Sheberach” prayer for healing has become the fastest adopted liturgical melody in both the Reform and Conservative movements. This week, we sing the “Mi Sheberach” for her.
Is there such a thing as “voluntary segregation”? Apparently, the Israeli Supreme Court thinks so, according to its disappointing ruling today regarding the ongoing controversy on gender-segregated bus lines in the ultra-Orthodox community. (Previous Sisterhood posts on bus segregation can be found here, here, here, and here.)
The bad news for women’s advocacy groups and others unhappy with females being relegated to the back of the bus is that the segregated lines were not banned completely.
Instead, the Court, while acknowledging that state enforcement of segregation is illegal and speaking out strongly against it, upheld the Transportation Ministry’s official policy in which “everyone may sit wherever they want on the bus, even in “mehadrin” lines, and drivers must work to prevent passengers from being forced, through violence and other means, to sit elsewhere. However, should passengers decide to voluntarily sit according to gender, it will be permissible.”
Haredi stylist Miri Beilin blends tznius and high fashion to make modesty stylish.
Muslim women feel uniquely empowered in the United States, according to this New York Times article.
Imagine investing in a business; the partnership sours, but the freedom to begin anew depends on your ex-partner honoring his obligation to sign your walking papers.
This scenario best describes what confronts a Jewish woman when a marriage is over: a man must give his estranged wife a *get a religious divorce decree, without which she is not free to remarry under the canopy of a Jewish wedding.
Why flip a business analogy on this? Because in a marriage, both spouses bring equity and invest mutual resources of love, time and sacrifice to build a lasting relationship.
The dark side of this get issue began to surface in the 1970s, as these decrees, in some instances, became a bargaining chip to win concessions on child custody and financial support. But aside from 40 years of hand-wringing and conferences about get and the plight of the agunah (chained woman), what’s changed?
Alysa Stanton, who made headlines when she became the country’s first black woman rabbi, will be leaving her Greenville, N.C. pulpit — after the congregation that hired her less than two years ago decided not to renew her contract. Stanton said the decision to leave was not hers, and that she fully intends to serve out the duration of her contract, which expires July 31, 2011.
“I don’t regret my decision to come to Greenville,” said Stanton, who was born into a Pentecostal family and converted to Judaism as an adult. “I’ve grown to love the community, and the citizens have embraced me in a way that has been transformative.”
Stanton, 47, said the challenges that she faced at the Bayt Shalom weren’t all that different from those of any other first-year rabbi, but hers “were more visible because the world was watching.”
In a time where social networking is a large part of almost everyone’s life, many activists have found social networking sites to be a successful venue for social action.
Steph Herold is one of them. A young abortion-rights activist living in Brooklyn, Herold has worked in direct service abortion care and reproductive health advocacy, and recently discovered that Twitter was a surprising way to get women’s voices heard loudly. So loudly, in fact, that they made it all the way to CNN.
#IHadAnAbortion is a Twitter hashtag started as a new venue for women to tell their abortion stories. The inspiration, said Herold, was a blog post she read which compares the modern pro-choice movement to the gay rights movement of the 1970s. “What strengthened the gay rights movement then, according to [this blog post], were people coming out, and the general public realizing that homosexuality is more common and prevalent (and normal!) than they ever imagined. The author of the post posed an interesting question: Why don’t we do that for abortion rights? That really struck a chord with me. The anti-choice movement has tried to make abortion the sin of a few bad women. In reality, abortion is a regular part of women’s lives,” explained Herold.
This post was originally published on Jewcy, and is reposted with permission.
Best new word of 2011 (okay, so it’s early yet): “twiblings,” a term coined by writer Melanie Thernstrom to describe her two children, a boy and a girl, who were created using Thernstrom’s husband’s sperm and eggs from one donor. The resulting embryos were implanted on the same day into two different gestational surrogates, and the babies that resulted were born five days apart.
In her New York Times magazine cover story this week, festooned with the provocative headline “Meet the Twiblings” — not quite twins, but more than genetic siblings — Thernstrom details the painful experience of dealing with infertility and coming to realize that this would be the way that offered her the best chance to become a mother of two children who were about the same age.
It is the second cover story about gestational surrogacy that The Times has put on its magazine cover in little more than two years, which begs the question: Why so much focus on this relatively uncommon way to become a parent?
I was always certain that I was never going to be one of those mothers. A bar or bat mitzvah isn’t a wedding, after all. The important thing is that your child is reaching the age of maturity and reading from the Torah. It’s not about the color of the napkins, the quality of the appetizers or the fancy outfits.
Big parties just aren’t me. But then I take a look at the pictures of my daughter’s big, beautiful and undeniably lavish event last week, I think to myself: What happened?
Somehow, the same momentum took over that drove me when I planned my wedding. Except, somehow, the pressure to make this a beautiful ceremony and festive party was greater.